| 清同治年间，铜器成为人们日常生活的必需品 |
| 添加时间：2019/9/9 15:03:36 浏览次数： |
| 清同治年间，铜器成为人们日常生活的必需品。铜艺产品在款式、工艺等方面发生了显著变化，于1876年出现了朱府铜铺，从此有了生产铜制品的专业工场，继承了青铜技艺，产品从构图布局、造型装饰到技法处理都是传统的，与青铜技艺相通，血脉融合。 During Tongzhi period of Qing Dynasty, bronze ware became a necessity of people's daily life. Bronze products have undergone significant changes in style and technology. In 1876, Zhufu Bronze Shop appeared. Since then, there has been a professional workshop for the production of bronze products, which inherited the bronze technology. The products are traditional in composition, layout, shape and decoration, as well as technical treatment. They are interlinked with bronze technology and merged with blood. 清朝的铜锅、铜钩、铜壶、铜罐等铜艺制品，量大且精致，也是铜雕技艺的代表作品，其雕刻手法互相配合，精工细作，以形态逼真取悦于人，尤其是雕刻茶壶和各种首饰，做工精细，不惜工本。顾客常常排队等候购买，生意十分红火。当时的镶嵌是铜和铜之间接合，以浮镶为主，价格昂贵，仅为官镣阶层所用。清朝后期，镶嵌材料有金、银、玉、石、木等，货源充足。一般就地取材，成本较低，外观美丽，为人们所喜爱，因此在铜雕上广泛采用，杭州人称之为“铜艺镶嵌”。这种工艺只是把玉、石、木放在铜板上，然后用胶多次黏合，使之牢固。铜石、铜玉结合，作为一种艺术形式出现，具有新颖的艺术效果，成为家居摆设和收藏品。 The bronze pots, hooks, pots and pots of the Qing Dynasty are representative works of bronze sculpture. Their carving techniques cooperate with each other. They are exquisite and delicate. They delight people with lifelike shapes, especially in carving teapots and various jewelry. They are exquisite and cost-effective. Customers often queue up to buy, and business is booming. At that time, the mosaic was the joint between copper and copper, mainly floating mosaic, which was expensive and only used by the officials and officials. In the late Qing Dynasty, inlay materials such as gold, silver, jade, stone and wood were abundant. Generally local materials, low cost, beautiful appearance, popular, so widely used in bronze carving, Hangzhou people call it "bronze inlay". This process only places the jade, stone and wood on the copper plate, and then glues them several times to make them firm. The combination of copper and stone, copper and jade, as an art form, has novel artistic effects and becomes home furnishings and collections. |
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